A New Adaptation by Mickle Maher Based on the graphic novel by Jason Lutes Directed by Charles Newell
Berlin is an unforgettable mosaic of intersecting narratives set amidst the decline of Weimar Germany. This original commission brings Jason Lutes’s exhilarating and acclaimed graphic novel to life.
Fascism is taking hold; revolutionaries are organizing; creatives are trying to capture the ineffable nature of their changing city; and – as everything falls apart – everyone is faced with a choice: abandon Berlin or fight to survive.
by Theodore Ward Directed by Resident Artist Ron OJ Parson
The United States is on the cusp of the Great Depression and, like many, the Mason family is struggling. Between the precarious economy and racial violence on the segregated South Side, something’s got to give. As different generations strive to secure their family’s future, catastrophic decisions are made, leading to a heartbreaking twist and a blistering condemnation of America’s Big White Fog.
The richest man in town has two daughters and one big problem: he refuses to marry the youngest, Bianca, until the eldest, Katherine, is married first. Much to her family’s dismay, Katherine repeatedly – and violently – rejects the men interested in her and her wealth, and refuses to sacrifice her independence. When a mysterious gentleman enters the mix, suddenly Kate sees that surrender is no sacrifice. Perhaps there is strength in submission.
By August Strindberg Directed by Senior Artistic Producer Gabrielle Randle-Bent
Miss Julie wants to abandon her upper-class, aristocratic life and escape the expectations that trap her. Jean, her servant, wants to climb the social ladder and rise through the ranks of society. Over the course of a wine-soaked evening, the two jockey for position, using sex, status, and strategy to collide and combust.
Concept by Leslie Buxbaum, David J. Levin, and Erin McKeown Book and Lyrics by Leslie Buxbaum Music and Lyrics by Erin McKeown Dramaturgy by David J. Levin
Dawn has a house, a husband, and a family, but she wants more. She wants her ex-girlfriend, Robin. She wants nothing to change and she wants everything to change, and she wants it all on her own terms. As she’s caught between what’s been and what’s next, Dawn must learn to abandon expectations, harmonize with loved ones, and trust the process. If she can do all that, she might just learn a new song.
by Lisa Peterson and Denis O’Hare Based on Homer’s THE ILIAD Translated by Robert Fagles
directed by Senior Artistic Consultant Charles Newell featuring Timothy Edward Kane
A timeless and gripping retelling of Homer’s epic poem, An Iliad returns to Court’s stage, illuminating the human cost of conflict with breathtaking urgency. Timothy Edward Kane reprises his role as The Poet – the sole character in this one-person saga – who recounts a tale of war, hubris, and destruction that spirals across millennia and crashes into our present day. Experience the raw power of Kane’s performance in Court Theatre’s intimate Abelson Auditorium, and confront the necessity of the classics head-on.
The United States is on the cusp of the Great Depression and, like many, the Mason family is struggling. Between the precarious economy and racial violence on the segregated South Side, something’s got to give. As different generations strive to secure their family’s future, catastrophic decisions are made, leading to a heartbreaking twist and a blistering condemnation of America’s Big White Fog.
Dawn has a house, a husband, and a family, but she wants more. She wants her ex-girlfriend, Robin. She wants nothing to change and she wants everything to change, and she wants it all on her own terms. As she’s caught between what’s been and what’s next, Dawn must learn to abandon expectations, harmonize with loved ones, and trust the process. If she can do all that, she might just learn a new song.
