Court has been producing theatre since 1955.
Play |
Playwright |
Director |
Season |
| STOKELY: THE UNFINISHED REVOLUTION | Nambi E. Kelley | Tasia A. Jones | 2023/2024 |
| ROSENCRANTZ AND GUILDENSTERN ARE DEAD | Tom Stoppard | Charles Newell | 2023/2024 |
| ANTIGONE | Sophocles, translated by Nicholas Rudall | Gabrielle Randle-Bent | 2023/2024 |
| THE LION IN WINTER | James Goldman | Ron OJ Parson | 2023/2024 |
| THE GOSPEL AT COLONUS (Revival at the Getty Villa) | Adaptation and original lyrics by Lee Breuer, music by Bob Telson | Mark J.P. Hood, Charles Newell | 2023/2024 |
| THE GOSPEL AT COLONUS | Adaptation and original lyrics by Lee Breuer, music by Bob Telson | Mark J.P. Hood, Charles Newell | 2022/2023 |
| FEN | Caryl Churchill | Vanessa Stalling | 2022/2023 |
| THE ISLAND | Athol Fugard, John Kani, Winston Ntshona | Gabrielle Randle-Bent | 2022/2023 |
| ARSENIC AND OLD LACE | Joseph Kesselring, original Broadway production by Howard Lindsay and Russel Crouse | Ron OJ Parson | 2022/2023 |
| TWO TRAINS RUNNING | August Wilson | Ron OJ Parson | 2021/2022 |
| THE LADY FROM THE SEA | Henrik Ibsen, translated by Richard Nelson | Shana Cooper | 2021/2022 |
| THE TRAGEDY OF OTHELLO, THE MOOR OF VENICE | William Shakespeare | Charles Newell, Gabrielle Randle-Bent | 2021/2022 |
| TITANIC (SCENES FROM…) (Streaming) | Owen McCafferty | Vanessa Stalling | 2020/2021 |
| AN ILIAD (Streaming) | Adapted from Homer by Lisa Peterson and Denis O’Hare, translated by Robert Fagles | Charles Newell | 2020/2021 |
| FIVE GUYS NAMED MOE (Streaming) | Clarke Peters, featuring Louis Jordan’s Hits | Ron OJ Parson | 2020/2021 |
| THEATRE FOR ONE: HERE WE ARE | Various | Various | 2020/2021 |
| DEEP DIVE: STOPPARD’S LEOPOLDSTADT | Tom Stoppard | Charles Newell | 2020/2021 |
| THEATRE & THOUGHT SERIES | August Wilson, Euripides, Caryl Churchill, Lorraine Hansberry | Various | 2020/2021 |
| THE GOSPEL AT COLONUS (Cancelled) | Adaptation and original lyrics by Lee Breuer, music by Bob Telson | Charles Newell | 2019/2020 |
| THE LADY FROM THE SEA (Cancelled) | Henrik Ibsen, translated by Rolf Fjelde | Shana Cooper | 2019/2020 |
| AN ILIAD (At the Institute for the Study of Ancient Cultures) |
Adapted from Homer by Lisa Peterson and Denis O’Hare, translated by Robert Fagles | Charles Newell | 2019/2020 |
| THE MOUSETRAP | Agatha Christie | Sean Graney | 2019/2020 |
| OEDIPUS REX | Sophocles, translated by Nicholas Rudall | Charles Newell | 2019/2020 |
| KING HEDLEY II | August Wilson | Ron OJ Parson | 2019/2020 |
| THE ADVENTURES OF AUGIE MARCH | David Auburn | Charles Newell | 2018/2019 |
| FOR COLORED GIRLS… | Ntozake Shange | Seret Scott | 2018/2019 |
| PHOTOGRAPH 51 | Anna Ziegler | Vanessa Stalling | 2018/2019 |
| FRANKENSTEIN | Manual Cinema | Manual Cinema | 2018/2019 |
| RADIO GOLF | August Wilson | Ron OJ Parson | 2018/2019 |
| THE ORIGINALIST | John Strand | Molly Smith | 2017/2018 |
| GUESS WHO’S COMING TO DINNER | Todd Kreidler | Marti Lyons | 2017/2018 |
| ALL MY SONS | Arthur Miller | Charles Newell | 2017/2018 |
| THE BELLE OF AMHERST | William Luce | Sean Graney | 2017/2018 |
| FIVE GUYS NAMED MOE | Clarke Peters, featuring Louis Jordan’s Hits | Ron OJ Parson | 2017/2018 |
| IPHIGENIA IN AULIS (Revival at the Getty Villa) |
Euripides, translated by Nicholas Rudall | Charles Newell | 2017/2018 |
| HARVEY | Mary Chase | Devon De Mayo | 2016/2017 |
| THE HARD PROBLEM | Tom Stoppard | Charles Newell | 2016/2017 |
| BLUES FOR AN ALABAMA SKY | Pearl Cleage | Ron OJ Parson | 2016/2017 |
| ELECTRA | Sophocles, translated by Nicholas Rudall | Seret Scott | 2016/2017 |
| MAN IN THE RING | Michael Cristofer | Charles Newell | 2016/2017 |
| ONE MAN, TWO GUVNORS | Richard Bean | Charles Newell | 2015/2016 |
| LONG DAY’S JOURNEY INTO NIGHT | Eugene O’Neill | David Auburn | 2015/2016 |
| SATCHMO AT THE WALDORF | Terry Teachout | Charles Newell | 2015/2016 |
| AGAMEMNON | Aeschylus, translated by Nicholas Rudall | Charles Newell | 2015/2016 |
| GEM OF THE OCEAN | August Wilson | Ron OJ Parson | 2015/2016 |
| THE SECRET GARDEN | Marsha Norman | Charles Newell | 2014/2015 |
| THE GOOD BOOK | Denis O’Hare, Lisa Peterson | Lisa Peterson | 2014/2015 |
| WAITING FOR GODOT | Samuel Beckett | Ron OJ Parson | 2014/2015 |
| IPHIGENIA IN AULIS | Euripides, translated by Nicholas Rudall | Charles Newell | 2014/2015 |
| NATIVE SON | Nambi E. Kelley | Seret Scott | 2014/2015 |
| M. BUTTERFLY | David Henry Hwang | Charles Newell | 2013/2014 |
| WATER BY THE SPOONFUL | Quiara Alegría Hudes | Henry Godinez | 2013/2014 |
| SEVEN GUITARS | August Wilson | Ron OJ Parson | 2013/2014 |
| AN ILIAD (Revival) | Adapted from Homer by Lisa Peterson and Denis O’Hare, translated by Robert Fagles | Charles Newell | 2013/2014 |
| THE MOUNTAINTOP | Katori Hall | Ron OJ Parson | 2013/2014 |
| TARTUFFE | Molière, translated by Richard Wilbur | Charles Newell | 2012/2013 |
| THE MISANTHROPE | Molière, translated by Richard Wilbur | Charles Newell | 2012/2013 |
| PROOF | David Auburn | Charles Newell | 2012/2013 |
| SKYLIGHT | David Hare | William Brown | 2012/2013 |
| JAMES JOYCE’S “THE DEAD” | Book by Richard Nelson, music by Shaun Davey | Charles Newell | 2012/2013 |
| JITNEY | August Wilson | Ron OJ Parson | 2012/2013 |
| ANGELS IN AMERICA | Tony Kushner | Charles Newell | 2011/2012 |
| INVISIBLE MAN | Adapted for the stage by Oren Jacoby, based on the novel by Ralph Ellison | Christopher McElroen | 2011/2012 |
| AN ILIAD | Adapted from Homer by Lisa Peterson and Denis O’Hare, translated by Robert Fagles | Charles Newell | 2011/2012 |
| SPUNK | Based on the short story by Zora Neale Hurston, adapted for the stage by George C. Wolfe | Seret Scott | 2011/2012 |
| PORGY AND BESS | George Gershwin, DuBose and Dorothy Heyward, Ira Gershwin | Charles Newell | 2010/2011 |
| VIRGINIA WOOLF’S ORLANDO | Virginia Woolf, adapted by Sarah Ruhl | Jessica Thebus | 2010/2011 |
| THREE TALL WOMEN | Edward Albee | Charles Newell | 2010/2011 |
| HOME | Samm-Art Williams | Ron OJ Parson | 2010/2011 |
| THE COMEDY OF ERRORS | William Shakespeare | Sean Graney | 2010/2011 |
| SIZWE BANZI IS DEAD | Athol Fugard, John Kani, Winston Ntshona | Ron OJ Parson | 2009/2010 |
| THE ILLUSION | Tony Kushner, freely adapted from Pierre Corneille | Charles Newell | 2009/2010 |
| THE YEAR OF MAGICAL THINKING | Joan Didion | Charles Newell | 2009/2010 |
| THE MYSTERY OF IRMA VEP | Charles Ludlam | Sean Graney | 2009/2010 |
| MA RAINEY’S BLACK BOTTOM | August Wilson | Ron OJ Parson | 2009/2010 |
| THE PIANO LESSON | August Wilson | Ron OJ Parson | 2008/2009 |
| WAIT UNTIL DARK | Frederick Knott | Ron OJ Parson | 2008/2009 |
| THE WILD DUCK | Henrik Ibsen, translated by Richard Nelson | Charles Newell | 2008/2009 |
| RADIO MACBETH | William Shakespeare, adapted by SITI Company | Anne Bogart, Darron L. West | 2008/2009 |
| CAROLINE, OR CHANGE | Book and lyrics by Tony Kushner, music by Jeanine Tesori | Charles Newell | 2008/2009 |
| THE FIRST BREEZE OF SUMMER | Leslie Lee | Ron OJ Parson | 2007/2008 |
| CAROUSEL | Music by Richard Rodgers, book and lyrics by Oscar Hammerstein II | Charles Newell | 2007/2008 |
| TITUS ANDRONICUS | William Shakespeare, adapted by Charles Newell | Charles Newell | 2007/2008 |
| WHAT THE BUTLER SAW | Joe Orton | Sean Graney | 2007/2008 |
| THYESTES | Lucius Annaeus Seneca, translated by Caryl Churchill | JoAnne Akalaitis | 2007/2008 |
| ARCADIA | Tom Stoppard | Charles Newell | 2006/2007 |
| FLYIN’ WEST | Pearl Cleage | Ron OJ Parson | 2006/2007 |
| UNCLE VANYA | Anton Chekhov, translated by Paul Schmidt | Charles Newell | 2006/2007 |
| HOTEL CASSIOPEIA | Charles Mee | Anne Bogart | 2006/2007 |
| RAISIN | Based on Lorraine Hansberry’s A Raisin in the Sun, book by Robert Nemiroff and Charlotte Zaltzberg, music by Judd Woldin, lyrics by Robert Brittan | Charles Newell | 2006/2007 |
| LETTICE AND LOVAGE | Peter Shaffer | Lucy Smith Conroy | 2005/2006 |
| THE GLASS MENAGERIE | Tennessee Williams | Charles Newell | 2005/2006 |
| FENCES | August Wilson | Ron OJ Parson | 2005/2006 |
| MABOU MINES DOLLHOUSE | Henrik Ibsen, adapted by Lee Breuer & Maude Mitchell | Lee Breuer | 2005/2006 |
| MAN OF LA MANCHA | Dale Wasserman, music by Mitch Leigh, lyrics by Joe Darion | Charles Newell | 2005/2006 |
| ENDGAME | Samuel Beckett | Christopher Bayes | 2004/2005 |
| TRAVESTIES | Tom Stoppard | Charles Newell | 2004/2005 |
| QUARTET | Heiner Muller, translated by Carl Weber | JoAnne Akalaitis | 2004/2005 |
| THE IMPORTANCE OF BEING EARNEST | Oscar Wilde | Charles Newell | 2004/2005 |
| WHO’S AFRAID OF VIRGINIA WOOLF? | Edward Albee | Charles Newell | 2004/2005 |
| CYRANO | Based on the play by Edmond Rostand, translated by Mickle Maher | Jim Lasko, Charles Newell | 2003/2004 |
| FRÄULEIN ELSE | Translated and adapted by Francesca Faridany, based on the novella by Arthur Schnitzler | Lucy Smith Conroy | 2003/2004 |
| GUYS & DOLLS | Music and lyrics by Frank Loesser, book by Jo Swerling and Abe Burrows | Charles Newell | 2003/2004 |
| JAMES JOYCE’S “THE DEAD” (Revival) | Book by Richard Nelson, music by Shaun Davey | Charles Newell | 2003/2004 |
| THE SOUND OF A VOICE | Libretto by David Henry Hwang, music by Philip Glass | Robert Woodruff | 2003/2004 |
| THE ROMANCE CYCLE: PERICLES | William Shakespeare | Charles Newell | 2002/2003 |
| THE ROMANCE CYCLE: CYMBELINE | William Shakespeare | Charles Newell | 2002/2003 |
| JAMES JOYCE’S “THE DEAD” | Book by Richard Nelson, music by Shaun Davey | Charles Newell | 2002/2003 |
| SCAPIN | Molière, adapted by Shelley Berc and Andrei Belgrader | Christopher Bayes | 2002/2003 |
| PHÈDRE | Jean Racine, translated and adapted by Paul Schmidt | JoAnne Akalaitis | 2002/2003 |
| MY FAIR LADY | Book and lyrics by Alan Jay Lerner, music by Frederick Loewe | Gary Griffin | 2001/2002 |
| HAMLET | William Shakespeare | Charles Newell | 2001/2002 |
| COPENHAGEN (The National Tour) |
Michael Frayn | Michael Blakemore | 2001/2002 |
| THE CHAIRS | Eugene Ionesco | Martin Platt | 2001/2002 |
| MARY STUART | Friedrich Schiller, translated by Robert David MacDonald | JoAnne Akalaitis | 2001/2002 |
| TWELFTH NIGHT (Rep) | William Shakespeare | Karin Coonrod | 2000/2001 |
| PIANO (Rep) | Trevor Griffiths | Charles Newell | 2000/2001 |
| HAY FEVER | Noel Coward | Gary Griffin | 2000/2001 |
| IN THE PENAL COLONY | Philip Glass, libretto by Rudolph Wurlitzer, based on the story by Franz Kafka | JoAnne Akalaitis | 2000/2001 |
| THE INVENTION OF LOVE | Tom Stoppard | Charles Newell | 2000/2001 |
| THE LEARNED LADIES (Rep) | Molière, translated by Richard Wilbur | Charles Newell | 1999/2000 |
| FAIR LADIES AT A GAME OF POEM CARDS (Rep) | Chikamatsu Monzaemon, translated by Peter Oswald | Charles Newell | 1999/2000 |
| DESIRE UNDER THE ELMS | Eugene O’Neill | Walter Dallas | 1999/2000 |
| THE REAL THING | Tom Stoppard | Gary Griffin | 1999/2000 |
| LIFE’S A DREAM | Pedro Calderón de la Barca | JoAnne Akalaitis | 1999/2000 |
| LA BÊTE (Rep) | David Hirson | Charles Newell | 1998/1999 |
| THE LITTLE FOXES (Rep) | Lillian Hellman | Charles Newell | 1998/1999 |
| A MIDSUMMER NIGHT’S DREAM | Williams Shakespeare | László Marton | 1998/1999 |
| NORA | Henrik Ibsen, adapted by Ingmar Bergman | Charles Newell | 1998/1999 |
| GROSS INDECENCY: THE THREE TRIALS OF OSCAR WILDE | Moises Kaufman | Gary Griffin | 1998/1999 |
| AN IDEAL HUSBAND (Rep) | Oscar Wilde | Charles Newell | 1997/1998 |
| THE CHERRY ORCHARD (Rep) | Anton Chekhov, translated by Paul Schmidt | Charles Newell | 1997/1998 |
| THE SCHOOL FOR WIVES | Molière | László Marton | 1997/1998 |
| PUTTING IT TOGETHER | Steven Sondheim | Gary Griffin | 1997/1998 |
| THE IPHIGENIA CYCLE | Euripides, translated by Nicholas Rudall | JoAnne Akalaitis | 1997/1998 |
| TARTUFFE (Rep) | Molière, translated by Richard Wilbur | Daniel Fish | 1996/1997 |
| THE PHILADELPHIA STORY (Rep) | Philip Barry | Charles Newell | 1996/1997 |
| CARMEN | Prosper Mérimée, adapted by James Robinson | James Robinson | 1996/1997 |
| TRAVELS WITH MY AUNT | Graham Greene, Giles Havergal | Charles Newell | 1996/1997 |
| OLD TIMES | Harold Pinter | Kim Rubinstein | 1996/1997 |
| THE BARBER OF SEVILLE (Rep) | Pierre-Augustin Caron de Beaumarchais | Charles Newell | 1995/1996 |
| THE PLAY’S THE THING (Rep) | Ferenc Molnar | László Marton | 1995/1996 |
| KING HENRY IV: THE SHADOW OF SUCCESSION | William Shakespeare | Charles Newell | 1995/1996 |
| ON THE VERGE | Eric Overmyer | Susan V. Booth | 1995/1996 |
| CELIMENE AND THE CARDINAL | Jacques Rampal, adapted by Ranjit Bolt | Charles Newell | 1995/1996 |
| TRAVESTIES | Tom Stoppard | Charles Newell | 1994/1995 |
| THE MISANTHROPE | Molière, translated by Richard Wilbur | Charles Newell | 1994/1995 |
| SLEUTH | Anthony Shaffer | Gordon Reinhart | 1994/1995 |
| MISS JULIE | August Strindberg, translated by Truda Stockenstrom | Carmen Roman | 1994/1995 |
| ONCE IN A LIFETIME | Moss Hart, George S. Kaufman | Charles Newell | 1994/1995 |
| FRIDA: THE LAST PORTRAIT | Donna Blue Lachman | Mary Zimmerman | 1993/1994 |
| THE IMPORTANCE OF BEING EARNEST | Oscar Wilde | Nicholas Rudall | 1993/1994 |
| A DELICATE BALANCE | Edward Albee | Terry McCabe | 1993/1994 |
| CLOUD NINE | Caryl Churchill | Nicholas Rudall | 1993/1994 |
| THE TRIUMPH OF LOVE | Pierre Carlet de Chamberlain de Marivaux | Charles Newell | 1993/1994 |
| PANTOMIME | Derek Walcott | Jonathan Wilson | 1992/1993 |
| ELECTRA | Sophocles, adapted by Nicholas Rudall | Mikhail Mokeiev | 1992/1993 |
| THE MYSTERY CYCLE: THE CREATION AND THE PASSION | Bernard Sahlins | Nicholas Rudall, Bernard Sahlins | 1992/1993 |
| THE HOUSE OF BLUE LEAVES | John Guare | Philip Killian | 1992/1993 |
| OTHELLO | William Shakespeare | Eric Simonson | 1992/1993 |
| COMEDIANS | Trevor Griffiths, Aaron Freeman | Barney Simon | 1991/1992 |
| THE GIGLI CONCERT | Thomas Murphy | William Woodman | 1991/1992 |
| FROM THE SECOND CITY | Bernard Sahlins | 1991/1992 | |
| THE MYSTERY CYCLE: THE CREATION | Bernard Sahlins | Nicholas Rudall, Bernard Sahlins | 1991/1992 |
| MEASURE FOR MEASURE | William Shakespeare | Nicholas Rudall | 1991/1992 |
| CANDIDE | Voltaire, music by Leonard Bernstein | Travis L. Stockley | 1991/1992 |
| THE LION AND THE JEWEL | Wole Soyinka | 1991/1992 | |
| THE CAUCASIAN CHALK CIRCLE | Bertolt Brecht | Jeff Steitzer | 1990/1991 |
| FUENTE OVEJUNA | Lope de Vega, translated by Adrian Mitchell | Richard E.T. White | 1990/1991 |
| WHAT THE BUTLER SAW | Joe Orton | Jacques Cartier | 1990/1991 |
| BRIEF LIVES | Patrick Garland | Nicholas Rudall | 1990/1991 |
| CANDIDA | George Bernard Shaw | Nicholas Rudall | 1990/1991 |
| THE PEACE OF BREST-LITOVSK | Mikhail Shatrov | 1990/1991 | |
| A CHORUS OF DISAPPROVAL | Alan Ayckbourn | Richard Russell Ramos | 1989/1990 |
| THE BEGGAR’S OPERA | John Gay, John Christopher Pepusch | Richard Russell Ramos | 1989/1990 |
| GHOSTS | Henrik Isben | Bernard Hopkins | 1989/1990 |
| THE PARADISE HOTEL | Georges Faydeau, adapted by Nicholas Rudall | Kyle Donnelly | 1989/1990 |
| SERIOUS MONEY | Caryl Churchill, Ian Dury | Terry McCabe | 1989/1990 |
| ZEAMI | Masakazu Yamazaki | Toshifume Sueki | 1989/1990 |
| ALL’S WELL THAT ENDS WELL | William Shakespeare | Nicholas Rudall | 1988/1989 |
| HAPPY END | Dorothy Lane | Linda Brovsky | 1988/1989 |
| THE AMERICAN CLOCK | Studs Terkel, Arthur Miller | Richard Russell Ramos | 1988/1989 |
| PYGMALION | George Bernard Shaw | Kyle Donnelly | 1988/1989 |
| DOCTOR FAUSTUS | Christopher Marlowe | Nicholas Rudall | 1988/1989 |
| PLAYBOY OF THE WEST INDIES | J.M. Synge, Mustafa Matura | Nicholas Kent | 1987/1988 |
| MACBETH | William Shakespeare | Nicholas Pennell | 1987/1988 |
| THE GLASS MENAGERIE | Tennessee Williams | Nicholas Rudall | 1987/1988 |
| SHE STOOPS TO CONQUER | Oliver Goldsmith | James Bohnen | 1987/1988 |
| WOYZECK | Georg Brochner | Nicholas Rudall | 1987/1988 |
| PRIVATE LIVES | Noel Coward | Nicholas Kent | 1986/1987 |
| JUMPERS | Tom Stoppard | Nick Faust | 1986/1987 |
| ANGEL STREET | Patrick Hamilton | David Darlow | 1986/1987 |
| TARTUFFE | Molière | David Frank | 1986/1987 |
| ORESTEIA | Aeschylus | Nicholas Rudall | 1986/1987 |
| UNCLE VANYA | Anton Chekhov, translated by Milton Ehre | Munson Hicks | 1985/1986 |
| THE LADY’S NOT FOR BURNING | Christopher Fry | Nicholas Rudall | 1985/1986 |
| THE MASTER BUILDER | Henrik Ibsen, translated by Nicholas Rudall | Donald W. Ilko | 1985/1986 |
| THE RIVALS | Richard Brinsley Sheridan | Maria Aitken | 1985/1986 |
| HEARTBREAK HOUSE | George Bernard Shaw | Nicholas Rudall | 1985/1986 |
| EVERY GOOD BOY DESERVES FAVOUR | Tom Stoppard, Andre Previn | Michael Maggio | 1984/1985 |
| THE BIRTHDAY PARTY | Harold Pinter | Susan Dafoe | 1984/1985 |
| ARMS AND THE MAN | George Bernard Shaw | Nicholas Rudall | 1984/1985 |
| THE PHILANTHROPIST | Christopher Hampton | Nicholas Rudall | 1984/1985 |
| THE MISANTHROPE | Molière | Munson Hicks | 1984/1985 |
| MUCH ADO ABOUT NOTHING | William Shakespeare | Nicholas Rudall | 1984/1985 |
| LONG DAY’S JOURNEY INTO NIGHT | Eugene O’Neill | Nicholas Rudall | 1983/1984 |
| MISALLIANCE | George Bernard Shaw | Nicholas Rudall | 1983/1984 |
| HEDDA GABLER | Henrik Ibsen | Susan Dafoe | 1983/1984 |
| A MIDSUMMER NIGHT’S DREAM | William Shakespeare | Nicholas Rudall | 1983/1984 |
| HAY FEVER | Noel Coward | Susan Dafoe | 1983/1984 |
| LOOT | Joe Orton | Pauline Brailsford | 1982/1983 |
| ANTIGONE | Sophocles | Timur Djordjadze | 1982/1983 |
| ENDGAME | Samuel Beckett | Michael Maggio | 1982/1983 |
| UNDER MILK WOOD | Dylan Thomas | Nicholas Rudall | 1982/1983 |
| YOU NEVER CAN TELL | George Bernard Shaw | Nicholas Rudall | 1982/1983 |
| AN ITALIAN STRAW HAT | Eugene Labiche | Richard S. Kordos | 1982/1983 |
| OUT AT SEA | Slawomir Mrozek | Steve Schroer | 1981/1982 |
| THE UNSEEN HAND | Sam Shepard | Steve Schroer | 1981/1982 |
| THE FIRST NIGHT OF PYGMALION | Richard Huggett | Nicholas Rudall | 1981/1982 |
| THE GUARDSMAN | Ferenc Molnar | Tom Mula | 1981/1982 |
| THE ENTERTAINER | John Osborne | Nicholas Rudall, Diane Rudall | 1981/1982 |
| THE SEAGULL | Anton Chekhov | Nicholas Rudall | 1981/1982 |
| ALL’S FAIR (A BLACKFRIAR’S MUSICAL) | John Podhoretz | Unknown | 1981/1982 |
| HELLO OUT THERE | William Saroyan | Unknown | 1981/1982 |
| REUNION | David Mamet | Unknown | 1981/1982 |
| SUDDENLY LAST SUMMER | Tennessee Williams | Unknown | 1981/1982 |
| FASHION | Anna Cora Mowatt | James O’Reilly | 1980/1981 |
| COMEDY OF ERRORS | William Shakespeare | Richard E. Hughes | 1980/1981 |
| THE MISER | Molière | James O’Reilly | 1980/1981 |
| SAMUEL PEPYS: A ONE-MAN SHOW | Charles H. Good | Unknown | 1981/1982 |
| SOLITAIRE, A MAN ALONE IN THOUGHT | Steven Ivcich | Unknown | 1981/1982 |
| MISS JULIE | August Strindberg | Howard G. Kaplan | 1980/1981 |
| DOING A GOOD ONE FOR THE RED MAN | Mark Medoff | Unknown | 1981/1982 |
| THE BICYCLE RIDERS | Anna Marie Barlow | Catherine Wiley | 1980/1981 |
| NO EXIT | Jean-Paul Sartre | Ellen Martin | 1980/1981 |
| MANDRAGOLA | Niccolo Machiavelli | Steve Schroer | 1980/1981 |
| THE LOVER | Harold Pinter | Unknown | 1981/1982 |
| JUNO AND THE PAYCOCK | Sean O’Casey | James O’Reilly | 1980/1981 |
| FASHION | Anna Cora Mowatt | Unknown | 1981/1982 |
| THE COMEDY OF ERRORS | William Shakespeare | Unknown | 1981/1982 |
| A DOLL HOUSE | Henrik Ibsen | Nicholas Rudall | 1980/1981 |
| MRS. WARREN’S PROFESSION | George Bernard Shaw | Nicholas Rudall | 1980/1981 |
| LOVE’S LABOR LOST | William Shakespeare | James O’Reilly | 1980/1981 |
| THE SERVANT OF TWO MASTERS | Carlo Goldoni | Robert Skloot | 1980/1981 |
| HAMLET | William Shakespeare | Robert Benedetti | 1979/1980 |
| ALL’S WELL THAT ENDS WELL | William Shakespeare | Nicholas Rudall | 1980/1981 |
| EXIT THE KING | Eugene Ionesco | Joe Guastaferro | 1979/1980 |
| A DAY IN THE DEATH OF JOE EGG | Peter Nichols | Nicholas Rudall | 1979/1980 |
| THE WAY OF THE WORLD | William Congreve | Peter Arnott | 1979/1980 |
| ROSENCRANTZ AND GUILDENSTERN ARE DEAD | Tom Stoppard | Robert Benedetti | 1979/1980 |
| ANTIGONE | Jean Anouilh | Diane Rudall | 1978/1979 |
| THE BIRTHDAY PARTY | Harold Pinter | Nicholas Rudall | 1978/1979 |
| SHE STOPS TO CONQUER | Oliver Goldsmith | Unknown | 1977/1978 |
| THE WINTER’S TALE | William Shakespeare | Michael Maggio | 1978/1979 |
| SHE STOOPS TO CONQUER | Oliver Goldsmith | Nicholas Rudall | 1978/1979 |
| MACBETH | William Shakespeare | Patrick O’Gara | 1978/1979 |
| YOU CAN’T TAKE IT WITH YOU | Moss Hart, George S. Kaufman | Unknown | 1978/1979 |
| MEASURE FOR MEASURE | William Shakespeare | Nicholas Rudall | 1978/1979 |
| YET WHAT IS LOVE? | The Company | Nicholas Rudall | 1977/1978 |
| BUTLEY | Simon Gray | Michelle M. Faith | 1977/1978 |
| CANDIDE | Leonard Bernstein, H. Wheeler, R. Wilbur, S. Sondheim | John Tsafoyannis | 1977/1978 |
| THE THESMOPHORIAZOUSAE | Aristophanes | Nicholas Rudall | 1977/1978 |
| HOUSE OF BERNARDA ALBA | Federico Garcia Lorca | Frank Galati | 1977/1978 |
| THE TEMPEST | William Shakespeare | Robert Falls | 1977/1978 |
| THEATRE DE LA FOIRE | Unknown | Unknown | 1977/1978 |
| ROMEO AND JULIET | William Shakespeare | Nicholas Rudall | 1976 |
| SUMMER AND SMOKE | Tennessee Williams | George Keathley | 1976 |
| THE TWO GENTLEMEN OF VERONA | William Shakespeare | Libby Appel | 1976 |
| THE DOCTOR IN SPITE OF HIMSELF | Molière | Nicholas Rudall | 1975 |
| WAITING FOR GODOT | Samuel Beckett | Libby Appel | 1975 |
| MUCH ADO ABOUT NOTHING | William Shakespeare | Nicholas Rudall | 1975 |
| THE FATHER | August Strindberg | Unknown | 1975 |
| THE IMPORTANCE OF BEING EARNEST | Oscar Wilde | Unknown | 1975 |
| THE BARBER OF SEVILLE | Pierre-Augustin Caron de Beaumarchais | Charles A. Jenkins | 1974 |
| RASHOMON | Fay Kanin, Michael Kanin | Stuart Gordon | 1974 |
| TWELFTH NIGHT | William Shakespeare | Nicholas Rudall | 1974 |
| OH WHAT A LOVELY WAR | Joan Littlewood | Unknown | 1974 |
| THE CARETAKER | Harold Pinter | Unknown | 1974 |
| TANGO | Slawomir Mrozek | Lucille Strauss | 1973 |
| MEDEA | Euripides | Nicholas Rudall | 1973 |
| A MIDSUMMER NIGHT’S DREAM | William Shakespeare | Unknown | 1973 |
| UBU ROI | Alfred Jerry | Unknown | 1973 |
| THE RIVALS | Richard Brinsley Sheridan | Nicholas Rudall | 1972 |
| ARMS AND THE MAN | George Bernard Shaw | Nicholas Rudall | 1972 |
| ROSENCRANTZ AND GUILDENSTERN ARE DEAD | Tom Stoppard | Unknown | 1972 |
| THE CRUCIBLE | Arthur Miller | Annette Fern | 1971 |
| LYSISTRATA | Aristophanes | Nicholas Rudall | 1971 |
| THE TAMING OF THE SHREW | William Shakespeare | Unknown | 1971 |
| TARTUFFE | Molière | Charles A. Jenkins | 1972 |
| HENRY IV, PART II | William Shakespeare | James O’Reilly | 1970 |
| UNDER MILK WOOD | Dylan Thomas | Nicholas Rudall | 1970 |
| THE THREEPENNY OPERA | Bertolt Brecht | James O’Reilly | 1970 |
| THE COUNTRY WIFE | William Wycherley | James O’Reilly | 1969 |
| ANDROCLES AND THE LION | George Bernard Shaw | Kenneth Northcott | 1969 |
| RICHARD III | William Shakespeare | James O’Reilly | 1969 |
| AS YOU LIKE IT | William Shakespeare | James O’Reilly | 1968 |
| GALILEO | Bertolt Brecht | Dennis Hayes | 1968 |
| TIS PITY SHE’S A WHORE | John Ford | Nicholas Rudall | 1968 |
| MACBETH | William Shakespeare | James O’Reilly | 1967 |
| THE CAUCASIAN CHALK CIRCLE | Bertolt Brecht | Dennis Hayes | 1967 |
| THE MISER | Molière | James O’Reilly | 1967 |
| THE MERRY WIVES OF WINDSOR | William Shakespeare | James O’Reilly | 1966 |
| TWELFTH NIGHT | William Shakespeare | Harvey Landa | 1966 |
| SAINT JOAN | George Bernard Shaw | James O’Reilly | 1966 |
| VOLPONE | Ben Jonson | James O’Reilly | 1965 |
| THE LADY’S NOT FOR NURNING | Christopher Fry | Kenneth Northcott | 1965 |
| JULIUS CAESAR | William Shakespeare | James O’Reilly | 1965 |
| ROMEO AND JULIET | William Shakespeare | James O’Reilly | 1964 |
| THE TEMPEST | William Shakespeare | Robert Benedetti | 1964 |
| THE TAMING OF THE SHREW | William Shakespeare | James O’Reilly | 1964 |
| KING LEAR | William Shakespeare | Robert Benedetti | 1963 |
| THE CONFOUNDED HUSBAND | Molière | Martin Roth | 1963 |
| A MIDSUMMER NIGHT’S DREAM | William Shakespeare | James O’Reilly | 1963 |
| PANTAGLEIZE | Michael de Ghelderode | James O’Reilly | 1962 |
| THE DYBBUK OR BETWEEN TWO WORLDS | S. Ansky | Rolf Forsberg | 1962 |
| THE KNIGHT OF THE BURNING PESTLE | Francis Beaumont | Unknown | 1962 |
| HENRY IV PART I | William Shakespeare | James O’Reilly | 1961 |
| SIX CHARACTERS IN SEARCH OF AN AUTHOR | Luigi Pirandello | Dr. Norbert Hruby | 1961 |
| ULYSSES IN NIGHTTOWN | James Joyce, Marjorie Barkentin | Martin Roth | 1961 |
| OEDIPUS REX | Sophocles, William Butler Yeats | Rolf Forsberg | 1960 |
| SCAPIN, THE SCOUNDREL | Molière | Martin Roth | 1960 |
| HENRY VIII | William Shakespeare | James O’Reilly | 1960 |
| FRANCESCA DA RIMINI | George Henry Boker | Unknown | 1959 |
| LOVE FOR LOVE | William Congreve | Unknown | 1959 |
| OTHELLO | William Shakespeare | Unknown | 1959 |
| CORIOLANUS | William Shakespeare | Unknown | 1958 |
| THE IMAGINARY INVALID | Molière | Unknown | 1958 |
| THE CENCI | Percy Bysshe Shelley | Unknown | 1958 |
| SALOME | Oscar Wilde | Unknown | 1957 |
| THE ALCHEMIST | Ben Johnson | Unknown | 1957 |
| DOCTOR FAUSTUS | Christopher Marlowe | Unknown | 1957 |
| TWELFTH NIGHT OR WHAT YOU WILL | William Shakespeare | Unknown | 1956 |
| THE TROJAN WOMEN | Euripides | Rolf Forsberg | 1956 |
| THE MAN WHO MARRIED A DUMB WIFE | Anatole France | Unknown | 1956 |
| THE DOCTOR IN SPITE OF HIMSELF | Molière | Marvin Phillips | 1955 |
| THE FORCED MARRIAGE | Molière | Paul Sills | 1955 |
| THE AFFECTED YOUNG LADIES | Molière | Marvin E. Phillips | 1955 |
Photo of Guy Adkins as Hamlet by Michael Brosilow.