Productions - Page 31 of 35

The Genesis of All My Sons

Read background on Arthur Miller and the genesis of All My Sons.

Room to explore in ALL MY SONS

Scenic designer John Culbert talks about his design process, plans for the production, and the thrill of creating a world onstage.

A Season of American Classics

Charles Newell, Court's Marilyn F. Vitale Artistic Director, shares his passion for the classic American stories we explore in Winter/Spring 2018.

How “nobody” is Emily Dickinson?

University of Chicago Professor Richard Strier speaks to Emily's unique and timeless poetic talent, and what she would think about scholars studying her today.

Emily’s Black Cake Recipe

In The Belle of Amherst, Emily Dickinson serves up her famous “black cake” to audiences. Enjoy a video of Court staffers' attempt to bake the cake and read the recipe.

Critics love Kate Fry’s “spellbinding” Emily Dickinson

Since opening night on November 11, critics have been sharing their reviews of The Belle of Amherst.

The Belle in her Bedroom

Some spend $100 an hour for the opportunity to write in Emily Dickinson’s bedroom, her refuge and writing space.

A Poem for Mr. Higginson

Scholar W. Clark Gilpin takes a look at Emily Dickinson's process of submitting her poetry to Atlantic Monthly.

Director Charles Newell’s Approach to All My Sons

Charles Newell, Marilyn F. Vitale Artistic Director, talks about Court's approach to All My Sons.

Revisiting Iphigenia in Aulis at the Getty Villa

This summer, Court Theatre was honored to remount its production of Iphigenia in Aulis at the Getty Villa stage in Malibu, California. The reprisal of Iphigenia was not so much a remount as a new production—the same translation and team, but with a different set of questions and challenges.